Now, original director George Miller is back with an all new all-star cast as he. Since it was first released in 1979, the original film, Mad Max, which launched the career of Mel Gibson, has captured the imagination of fans around the world. Now, in the stark, unforgiving desert beyond the ruined cities, Max’s souped-up vehicle is his only anchor, his battered refuge, his metal shell. After watching the first trailer, there was never any doubt in our minds that we would make Mad Max: Fury Road into a poster apocalyptic project.

Max’s patrol car bears little resemblance to the Interceptor that he once used as a lawman. Those were in the early days of the collapse. The same minds behind the summer’s breakout hit, Mad Max: Fury Road-writer-director George Miller, cowriter Nico Lathouris and cowriter-storyboard artist Mark Sexton-present this series of prequel tales set within the world of the blockbuster film In the brutal and lawless Wasteland, witness the rise of the veteran hero turned tyrannical warlord known as Immortan Joe, along with the story. We’d been praying that he was out there, somewhere, in the Wasteland, the Road Warrior, “Mad” Max Rockatansky, the ex-highway patrolman, whose life was torn to shreds when a ruthless gang ran down his wife and baby daughter as they tried despretely to escape. Mad Max is an Australian post-apocalyptic action film series and media franchise created by George Miller and Byron Kennedy.It began in 1979 with Mad Max, and was followed by three sequels: Mad Max 2 (1981, released in the United States as The Road Warrior), Mad Max Beyond Thunderdome (1985) and Mad Max: Fury Road (2015) Miller directed or co-directed all four films.

It’s been a long time coming, a long trek across the desert, and now it’s time to wrestle with Miller’s magnus opus. Logline: After escaping the clutches of a fascist leader, a desert survivalist teams up with a rogue and her cargo, and together they attempt to outrun their brutal pursuers.Īfter the red dust has settled, the pounding drums and shredding guitar have quieted, the turbine engines have wound down, and the machine gun magazines have been exhausted, we can finally marvel, ponder and chew on George Miller’s post-apocalyptic opera.

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